![]() And Swain County’s citizens gave the unfinished Lakeview Drive its popular, albeit unofficial name “The Road To Nowhere.” The environmental issue was eventually deemed too expensive and the roadwork was never resumed. And, of special importance to those displaced residents, it was to have provided access to the old family cemeteries where generations of ancestors remained behind.īut Lakeview Drive fell victim to an environmental issue and construction was stopped, with the road ending at a tunnel, about six miles into the park. Lakeview Drive was to have stretched along the north shore of Fontana Lake, from Bryson City to Fontana, 30 miles to the west. The Federal government promised to replace Highway 288 with a new road. The old road was buried beneath the deep waters of Fontana Lake. With the creation of the Park, their homes were gone, and so was Old Highway 288 the road to those communities. Hundreds of people were forced to leave the small Smoky Mountain communities that had been their homes for generations. Fontana Lake is actually a reservoir for Fontana Dam, which was built as a TVA project during World War II to produce electricity for ALCOA aluminum plants in Tennessee as well as for Oak Ridge National Laboratory’s Manhattan Project. In the 1930s and 1940s, Swain County gave up the majority of its private land to the Federal Government for the creation of Fontana Lake and the Great Smoky Mountains National Park. If you plan to walk through the tunnel you might want a flashlight and be aware horseback riders use the tunnel. Walking through the quarter-mile-long tunnel takes you to Goldmine Loop, Forney Creek (great trout fishing), Lakeshore Trail and other connecting trails. ![]() About a half-mile before the tunnel at the end of the road, you’ll find great hiking and trout fishing on the Noland Creek Trail. It provides an overlook of Fontana Lake and access to a number of hiking trails. ![]() Lakeview Drive is a beautiful drive or strenuous bike ride – particularly in the Fall. On the map, it is called Lakeview Drive, but to the citizens of Swain County it is “The Road to Nowhere - A Broken Promise.” But should that happen, there is always The Road to Nowhere, a scenic mountain highway that takes you six miles into the Great Smoky Mountains National Park and ends at the mouth of a tunnel. With so much to see and do in the Bryson City area, it is hard to imagine a day when you might have nowhere to go. ![]()
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Prework includes watching a short demonstration video, reading and completing the training manual. ![]() Students will complete the prework before attending the class. ![]() ![]() ![]() ![]() “If the world collectively worked in a similar fashion to the way a film set operates, we would be much more efficient and much more considerate of one another,” Malek tells me.Īll of which is to say, learning the mechanics of a set is as valuable as anything else in an actor's education. On a functional set, there's a mutual respect for all roles, which is memorialized in the fact that movie credits include every name, down to the junior associate's assistant's intern. Robot showrunner Sam Esmail gives him direction.) This is the only way films and shows could ever get made, of course: In order for a knot of strangers to assemble and execute a complex task fast, each stranger has to plug straight into a role with no flailing or ambiguity. There is a brisk formality in how people move and talk. Each individual has a defined specialist role and knows exactly what is within and without his or her purview. Unlike the modern white-collar office, sets do not foster illusions about a lack of hierarchy or promote a vision of utopian cooperation with everyone contributing ideas in an open setting. For one thing, the bit parts offered Malek an elite form of vocational training. Malek's collection of blink-length roles in highly credentialed properties might have felt like torture-so close, yet so far!-but in this case it was an argument that it was better to be a small fish in a big pond than the opposite. “That one also hurt, despite the padding.” Ah, so that's how they do it-they pad the front of the car? “Yeah, although they don't pad it for the stuntman.” He cues up a fourth scene, in which he gets hit by a car. “I hope they use that one.” Then a third scene of him, darting across and tumbling down a cliff, which was on purpose this time. He accidentally flips and crumples at the bottom, then staggers up and continues running to finish the take. ![]() “Here's another one.” Now he's sprinting down a staircase, pursued by. (Some details will be censored here to avoid spoilers.) The monitor shows Malek tripping, falling, and rolling into a pained ball. Robot scene they shot last week of Malek sprinting down a street. It's on YouTube.) “Okay, here's some fresh footage of me tripping.” He moves over to a monitor and cues up a Mr. “Did you see when I tripped at the Oscars?” (Yes. “I'm agile, but I trip a lot,” he says, once the oiling is completed. ![]() ![]() ![]() Lefebvre wrote that the relationship between social and spatial structures within the urban landscape, the organization of space, and the ideological content of space created socially are all material products. The concept of the socio-spatial dialectic stems from the work of Lefebvre (1970), one of the leading spatial theorists of the twentieth century. ![]() Through the following analysis and critical evaluation, through the theme of the urban commons and practices of commoning in urban geography, the dynamics of the urban socio-spatial dialectic will be illustrated and therefore critically analyzed. The dynamic nature of the urban socio-spatial dialectic shows the urban landscape to be a site of contradiction, inequality, and conflict, and this is revealed within the formation and maintenance of the urban commons themselves and the way in which these dynamics play out spatially and socially. ![]() The urban commons and practices of commoning are inherently a socio-spatial formation that is manifest in modern and post-modern urban life. The urban socio-spatial dialectic has provided a guide to thinking about the generative urban spaces, insofar as society shapes urban space, while urban space simultaneously shapes society. The urban landscape can be described as a generative force and thus the urban cannot be thought of as a passive background but as multiplicative. Continuing, the theme of the urban commons and practices of commoning within urban geography will be drawn upon and therefore used to critically evaluate the dynamics of the urban socio-spatial dialectic. The essay will begin with unpacking what is understood as the urban socio-spatial dialectic followed by insights into the dynamics of the urban socio-spatial dialectic itself. This essay aims to analyze the dynamics of the urban socio-spatial dialectic with reference to the key themes and traditions within urban geography. ![]() ![]() ![]() ![]() If your internal drive running low on available disk space, you can use it to resize partitions on the fly to maximize available storage capacity. It is a complete, all-in-one data management solution for Windows PC users working in physical or virtual environments. This would be compatible with 32 bit and 64-bit windows.Paragon Hard Disk Manager (HDM) is a data security and storage management product developed by Paragon Software Group. This is complete offline installer and standalone setup for Paragon Hard Disk Manager. 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And although the cheetah is perfectly suited to find food to feed her cubs, the intentional development of techniques and a conscious plan to attack her prey is questionable she acts out of instinct. ![]() Its casual use suggests that virtuosity can be found everywhere, from auto mechanics to baristas and even include, as Howard describes, cheetahs on the hunt and the kill. If you only surmise what virtuosity is, you will become intimately aware of its meaning and all its ramifications. Moreover, this book is a must-read for anyone working with performing artists Howard covers the performance arts broadly, including theatre and dance as well. ![]() Nevertheless, this is a must-read for voice and instrumental students and their teachers, coaches, and accompanists. While the writing is in fine style, there are too many occasions where the reader may be hampered by having to pause to reconsider what was stated, especially in some of the longer sentences, or because a dictionary consultation is warranted. As the author states, "his book offers an interpretation, analysis, and reconstruction of the concept of virtuosity which plays so prominent a role in historical, critical, and theoretical discussions of artistic performance."1 The book is not an easy read, however, because of Howard's customarily esoteric vocabulary. There may be one other book on virtuosity, but nothing that approaches the depth of argument put forth by V. Howard, Charm and Speed: Virtuosity in the Performing Arts (New York: Peter Lang, 2008) ![]() ![]() ![]() As many settings and tweaks as our resident UXpert let us add. Simple but powerful offline support for when you’re in the woods or run out of cellular data. What are the best Plexamp alternatives A list based on our community, research SHOUTcast Radio, Listen2MyRadio, Site Search 360,, Jukebox, streamsquid, and butt. Download a custom mix or artist radio for the plane. Grab a few hours of your favorite playlist or stations with just a few taps. ![]() Explore your personal charts and see what you were into last Fall or your top albums from the 60s. Use the Mix Builder to explore and craft your perfect blend. Travel through time, pick a style or mood, or listen album-by-album like the purist you are. Radios built from your library and your cooler friends' collections. Custom pre-caching so your music keeps playing, because sometimes life brings you through tunnels.Įxperience your music collection like you’ve never seen it before, with our UltraBlur backgrounds, over a dozen hypnotic visualizers, and four visual themes to satisfy every taste. Perfection for golden ears, buttery smooth touches for the rest of us. Loudness leveling, true gapless playback, Sweet Fades™, soft transitions, a configurable preamp, a 7-band EQ, and more. Plexamp is a beautiful, dedicated Plex music player with tons of goodies for audiophile purists, music curators, and music fans of all ages looking for their next aural fix. Plexamp is the answer to the question "what would happen if you gave a handful of Plex music and pixel nerds a few cocktails and free rein to create the app of their dreams?" ★★ PS - If you’re new to Plex, download the Plex app first ★★ ★★ From the same people who brought you the Plex app ★★ You may experiment further with some of the other ‘Stations’ĭid you notice a pattern here? Basically, Plexamp is mainly about leaving the selection of the particular tracks to play up to Plex, but only give it some rough instructions about the stylistic direction.★★ You'll need a Plex Media Server and an active Plex Pass to use this app ★★ Tap on the artist when it appears as a search result underneath Put a part of the name of an artist into the search field Tap on the magnifiying glass icon at the bottom (again with the player minmized). If you know that already and want something more specific, try this: As its name suggests, this is Plex's own desktop music. Now scroll a bit upwards until you see the ‘Stations’. Plex Labs is essentially a part of Plex that is dedicated to the development of experimental apps, the first result of which was Plexamp. What is the specific criteria in terms of content required in order for the Radio Station feature to work Thanks in advance. Now tap on the Home icon at the bottom-left of Plexamp. I have a decent collection of music in my Plex library but when I try to use the Radio Station feature on PlexAmp and via Alexa I’m told that I don’t have enough music. ![]() (If you have hidden your music library by disabling the checkbox ‘include in Dashboard’ in the preferences of the library, reverse that action now.) Tap on ‘Source’ and make sure your primary music library is selected. Now tap on the cogwheel icon bottom-right to open the settings. If the player is open, tap on the downward chevron at the bottom to minimize it. Maybe it’s getting clearer when the FAQ is done. I think you are missing what it wants to do. It seems such a confusing mess that seems to copy the real Plex app but leaving out all the good parts. ![]() ![]() ![]() We reserve the right to stop the Unhinged experience at any time. Ticket holders acknowledges all risks associated with this experience and agrees to abide by all rules and instructions. Your ticket is a revocable license and may be taken and admission refused upon refund of purchase price. Large bags and backpacks will not be allowed.
![]() ![]() ![]() Indeed the inductance jumped from 63.57 mH and 132.45 mH previously to 194.4 mH and 199.6 mH respectively. So let’s re-measure the inductance with the rod pushed in: What is missing? Well, remember that when the solenoid is activated, the rod will be attracted into the solenoid, and that can change the inductance significantly. OK, so this is getting closer to the reality. We only care about the magnitude, so the current (rms) would be: Now we can calculate the operating current under 24VAC (rms). Using complex numbers, the calculation can be carried out quite easily. For example, when you apply a sinusoid voltage on the inductor, the corresponding current is also a sinusoid wave, but with a different phase. Using complex numbers is just a convenient way of denoting not only the magnitude but also the phase. Note that the reactance counts into the imaginary part of the impedance. This, plus the resistance, gives a total impedance of: ![]() So if we power the solenoids by 24VAC, 60Hz, which is the standard output of a sprinkler transformer, we will get a reactance of: With an LCR meter, I measured the inductance of the two solenoids: The higher the frequency, the higher the ‘resistance’ (i.e. Because inductors ‘prevent’ current from changing rapidly, it behaves like a ‘resistor’ under changing current (i.e. You can read the Wikipage to find out how reactance is calculated, but basically it has to do with the frequency of the input voltage, and the inductance of the coil. When operated on AC power, the inductance produces significant reactance which cannot be ignored. Because the solenoid is made of a coil, it not only has coil resistance but also inductance. The catch is exactly in the fact that sprinkler solenoids are powered by AC voltage. In fact, my sprinkler transformer is only rated 750 mA output current, so it can’t provide enough current to drive even one solenoid?! If you think about it for a while, you might realize something is not quite right here: if we apply 24V on the solenoid, wouldn’t that produce a 24 V / 24.1 ohm = 1 amp current draw? That’s quite steep. According to the multimeter, one measures 32.3 ohm, and the other measures 24.1 ohm. I have two example solenoids, one made by Orbit and one made by Hunter. Let’s start by measuring the resistance of the sprinkler solenoid. This also means if your water pressure is too low you may not be able to completely stop the water flow. Because closing the valve relies on internal pressure build-up, it usually takes a few seconds to completely stop the water flow. This allows the water pressure to build up internally hence stopping the flow. Removing the voltage causes the rod to revert back to its original position. This releases the internal water pressure thus opening the valve, allowing water to flow through the valve. Applying 24VAC on the two wires energizes the coil, and causes the rod to contract into the solenoid. The solenoid has two wires connected to its internal coil. ![]() At the center of the solenoid is a rod supported by a spring. The electric part of a sprinkler valve is the solenoid - it’s a cylindrical-shaped thing screwed into the valve. That’s why if you look at a standard sprinkler transformer, the output is usually AC. While most valves indeed CAN be powered by DC voltage (see below), they are designed to work with AC voltage in the range of 22VAC to 28VAC. It’s a common mistake to assume sprinkler valves work with DC voltage. If you are designing a sprinkler controller circuit, understanding these properties can be helpful. I often get questions about sprinkler valves, so in this post I will explain the basic electric properties of sprinkler valves. Note: check out our OpenSprinkler DC-powered version, which uses an innovative circuit design that drives sprinkler solenoids using DC-only voltage. ![]() |
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